THE SUBSTANCE (2024)

In Coralie Fargeat's new feminist terror motion picture The Substance, damaging societal elegance criteria are the actual monsters. They (women objectification, the disposal of "the old," the spreading of a sector improved body system modification) supply a beast of a pattern that leads Demi Moore's fading TV individuality character Elisabeth Spark

“Probably it was since I seemed fearless and intense,” Harry suggests relating to this oft-utilised descriptor. “It wasn’t a thing I considered needing to be. I think my objectives were being A great deal more simple than that.”Harry’s epicene trend and posturing have been motivated in part by drag’s gender-bending imagery and campy t